Vol. 14 No. 117 (2025)

Published March 28, 2025
Cilt 14, Sayı 117 (Mart 2025)

Research Article

SUNUŞ / İÇ KAPAK
Mehmet Ali GÖZÜBENLİ, Alaybey KAROĞLU
SOCIALIST REALISTIC TRACES IN TURKISH PAINTING ART: MEHMET BAŞBUĞ
https://doi.org/10.7816/idil-14-117-01
PDF (Turkish)
Burcu Burçak ERDAL
MANET'S OLYMPIA: REJECTION OF TRADITION AND ITS REFLECTION ON CONTEMPORARY ART
https://doi.org/10.7816/idil-14-117-02
PDF (Turkish)
Çiğdem DOĞAN ÖZCAN
SILHOUETTE: A STUDY ON THE WORKS OF AUGUSTE EDOUART AND KARA WALKER
https://doi.org/10.7816/idil-14-117-03
PDF (Turkish)
Hande BİLVAR
ALEXANDER MCQUEEN (1969–2010): AN ANALYSIS OF THE 'NO.13' RUNWAY SHOW AS AN ECLECTIC REFLECTION OF FASHION, ART, AND ECHNOLOGY
https://doi.org/10.7816/idil-14-117-04
PDF (Turkish)
Tuğba ÇELEBİ, Alev ÇAKMAKOĞLU KURU
THE INTEREST AND ATTITUDES OF STUDENTS RECEIVING ART EDUCATION TOWARDS PERFORMANCE ART
https://doi.org/10.7816/idil-14-117-05
PDF (Turkish)
Hande RASTGELDİ, Semih BÜYÜKKOL
MATERIAL DIVERSITY AND MULTILAYERED TEXTURE IN HASAN RASTGELDİ’S GÖBEKLİTEPE THEMED PAINTINGS
https://doi.org/10.7816/idil-14-117-06
PDF (Turkish)
Mürüvet HARMAN, İrem Nur ÖZTÜRK
THE MIRACLE OF THE STICK THAT BECAME A SNAKE” SCENES IN MEDIEVAL EUROPEAN PAINTING
https://doi.org/10.7816/idil-14-117-07
PDF (Turkish)
Gürdal Bike SEVİNÇLİ
DENIM AND CREATIVE TRANSFORMATION: THE AESTHETICS OF DENIM IN CONTEMPORARY ART AND SUSTAINABLE DESIGN
https://doi.org/10.7816/idil-14-117-08
PDF (Turkish)
Mete KARAÇOBAN, Alaybey KAROĞLU
DEVELOPING UNDERSTANDING OF ART IN THE FIELD OF PAINTING IN THE AUTONOMOUS REGION OF GAGAUZIA TODAY
https://doi.org/10.7816/idil-14-117-09
PDF (Turkish)
Sehran DİLMAÇ
PARTICIPANT AND RELATIONAL ASPECTS OF ART: ECOLOGICAL ART PRACTICES
https://doi.org/10.7816/idil-14-117-10
PDF (Turkish)
Rabia Sena YILDIRIM KAPTAN, Kafiye Özlem ALP
A THEMATIC APPROACH TO FEMALE FIGURES IN NURULLAH BERK’S PAINTINGS
https://doi.org/10.7816/idil-14-117-11
PDF (Turkish)
Aylin ALKAN
NEW ORIENTALISM AS AN OTHER IN FEMINIST ART
https://doi.org/10.7816/idil-14-117-12
PDF (Turkish)
Meryem Gizem KARAHAN, Merih TEKİN BENDER
HITTITE IMAGES FEATURED IN THE WORKS OF BUNYAMIN BALAMIR
https://doi.org/10.7816/idil-14-117-13
PDF (Turkish)
Nevzat ATALAY, Dilem DOĞAN
THE USE OF PAPER AS A MEDIUM OF EXPRESSION IN SCULPTURE ART: SAIIM GOKHAN ERCAN'S STRUCTURAL SCULPTURES
https://doi.org/10.7816/idil-14-117-14
PDF (Turkish)
Şenol ÇÖM
SNOW, STEPPE, AND EMPTINESS: THE CONTRIBUTION OF SPACE TO VISUAL NARRATIVE IN ABOUT DRY GRASSES
https://doi.org/10.7816/idil-14-117-15
PDF (Turkish)
Yusuf AVŞAR
TOMB INSCRIPTIONS IN THE YUMURTACI MOSQUE GRAVEYARD
https://doi.org/10.7816/idil-14-117-16
PDF (Turkish)
Merve YAZICI
THE DEVELOPMENT OF DIGITAL ART AFTER THE 20TH CENTURY AND PABLO VALBUENA'S DIGITAL INSTALLATIONS
https://doi.org/10.7816/idil-14-117-17
PDF (Turkish)
Pınar DİLEKÇİ VARGÜN
A STUDY ON THE PROBLEMS OF LITERARY TRANSLATION: THE CASE OF MY NAME IS RED
https://doi.org/10.7816/idil-14-117-18
PDF (Turkish)
Selin OYAN KÜPELİ
THE ROLE OF TIBETAN BUDDHIST CHANTS IN RITUALS AND SPIRITUAL PRACTICES
https://doi.org/10.7816/idil-14-117-19
PDF (Turkish)
F. Gül KOÇSOY, Sinem BAYDAŞ, Meliha KÜÇÜK
REFLECTIONS OF RACISM IN PERCIVAL EVERETT’S ERASURE PERCIVAL EVERETT’IN ERASURE ADLI ROMANINDA IRKÇILIĞIN YANSIMALARI
https://doi.org/10.7816/idil-14-117-20
PDF (Turkish)