Vol. 6 No. 34 (2017)

Research Article

Instrumentalisation of Ceramic Material Destruction as a Production Method in Contemporary Art

Published 2017-08-31

Cilt 6 Sayı 34 kapak

Öz

Çağdaş Sanatta Bir Üretim Yöntemi Olarak Seramik Malzemenin Tahribatının Araçsallaştırılması

Bu makalede; sanatsal yaratım sürecinde yok ediş seramik malzeme özelinde incelenmiştir. Seramik kullanarak yaratma sürecinde yok etme konusunu kapsayan bir bellek oluşturmak amaçlanmıştır. Bu amaçla Ai Weiwei’in “Han Dynasty Urn with Coca-Cola Logo paint” ve “ Dropping a Han Dynasty Urn”, Manuel Salvisberg’in “Fragments of History”, David Cushway’in “Fragments”, Monika Patuszyńska’nın “Bastards” serisi, Carl Andre’nin “Equivalent VIII”, Claire Twomey’in “Consciousness/Conscience” ve “Trophy” isimli işleri incelenmiştir. Konunun Türkiye’deki örnekleri belirlenmiş ve üç seramik sanatçısının işleri üzerinden örneklenmiştir. Burçak Bingöl’ün “Self-Conscious” ve “Yaşanacak Altın Çağların Sonuncusu”, İnsel İnal’ın “Kendi Şehrini Yarat”, Mustafa Ural’ın “Aşkın Halleri" eserleri seçilmiştir. Bu eserler yorumlanarak sanatçıların çıkış noktaları ve tahribat ile olan ilişkileri açıklanmıştır.

Anahtar Kelimeler Sanat, Seramik sanatı, Seramik, Yok oluş, Yıkım

Abstract

In this article the destruction in the artistic creation process will be examined with the focus of ceramic material. It is aimed to create a memory that covers the concept of destruction in the creation process with the use of ceramics. For this purpose, the works of and Ai Weiwei’s “Han Dynasty Urn with Coca-Cola Logo paint and Dropping a Han Dynasty Urn”, Manuel Salvisberg’s “Fragments of History”, David Cushway’s “Fragments”, Monika Patuszyńska’s “Bastards” series, Carl Andre’s “Equivalent VIII”, Claire Twomey’s “Consciousness/Conscience” and “Trophy” have been studied. Examples of the subject in Turkey have been identified and illustrated through the work of three ceramic artists. Burçak Bingöl's "Self-Conscious" and “Yaşanacak Altın Çağların Sonuncusu”, İnsel Inal's “Kendi Şehrini Yarat” and Mustafa Ural's “Aşkın Halleri"were selected. By interpreting these artworks, views of the artists and their relation to destruction are explained.

Keywords Art, Ceramic art, Ceramics, Demolition, Destruction

PDF (Turkish)

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