In this study, a conceptual study of selected works by Caspar David Friedrich was carried out, and the new approaches he brought to the genre of landscape painting were discussed on the basis of the basic concepts used by the artist. Considering the artist's tragic life story, the effect of melancholy can be felt in his paintings. The concept of the 'sublime', one of the main themes of the Romantic period, is observed in all of Friedrich's works. This concept is explored through the relationship between man and nature, emphasising man's weakness in the face of nature. The figure with the back turned, which is often used in the paintings, supports the creation of an identity between the viewer and the landscape. This type of use involves the viewer in the painting and allows them to see the landscape through the eyes of the figure. Friedrich is one of the pioneering artists of Romantic art, with his works characterised by atmospheric landscapes, mysterious symbols and a deep engagement with the sublime and the spiritual. This study delves into the conceptual underpinnings of Friedrich's work, exploring how his art transcends representation to convey deep philosophical and emotional meanings.
Keywords: Caspar David Friedrich, Romanticism, Sublime, Landscape