Aesthetic clothing models including styles based on colors, motifs and forms have emerged in societies. In this way, dressing habits, which are dependent on various variables, have also been influential in fields such as art, sociology and psychology by affecting people's perspective on the world. In today's world, clothing culture, combined with aesthetic and artistic values, has been stripped of being a product. In addition, clothing culture has gained a popular identity among artistic activities. In this process, the most important determining factor is the effect of the use of materials on the design styles in the clothes that have a sculptural quality. In this way, dressing habits, which are dependent on various variables, have also been influential in fields such as art, sociology and psychology by affecting people's perspective on the World. In this article, the active roles of the conceptual manifestos in the field of wearable art and the materials used in their transformation into a three-dimensional artistic object have been tried to be examined within the scope of design principles In the research, the literature review technique, which is one of the qualitative research methods, was used and the samples were selected in a non-probability/judgmental way. The aim of the study is to analyze the ratio values in the principles of integrity, repetition-rhythm, hierarchy and emphasis observed in materials and forms of reflection, taking into account the manifest features of the works in the collections of the artists.
Keywords: Wearable Art, Material, Art, Design