Giotto di Bondone (1267- 1337), Giorgio de Chirico (1888-1978), Alberto Giacometti’s ( 1901- 1966) art works analyzed in terms of symbolical value and construction of semantics through perspective and standpoint. The main proposal of the article is, the framer impact of perspective as a conceptual abstraction method and metaphysical manner in between the ontological relation of subject and object in Trecento period and Modern Era. Perspective manner is handled as a linguistic form, which serves constructing the impact and semiological meaning correspondingly to the philosophical, ecclesiastic and intellectual dynamics of the era, rather than positioning objects in space plane due to specific physical and retinal proportions. On this context perspective has an emphasis that shapes the semiotic form of the artwork from within the approaches of eras and artists to the physical world. Therefore perspective has been considered for its hermeneutic structure that provide linguistic a basis. The approach to the artists is in the terms of perspective manners in their artworks, in which perspective is discussed from the viewpoint of metaphysical values and the conceptual way instead of the formation of the physical objects. Perspective construction has been analyzed through a semiologic manner by considering the sociological, intellectual structure of the era, rather than the formalist tendencies in art history.
Keywords: Standpoint, Perspective, Metaphysics, Hermeneutic, Logic of the Symbolic