İdil Sanat ve Dil Dergisi
Cilt 9, Sayı 73  Eylül 2020  (ISSN: 2146-9903, E-ISSN: 2147-3056)
Savaş Kurtuluş ÇEVİK

NO Makale Adı

This research covers an examination of the effects of the ongoing war in Palestine on artists of Palestinian origin and their works that can be considered as “uprising (intifada)”. Although the beginning of the Palestine-Israel conflict can be dated back to the end of the 19th century, the turning point has been known as 1948 when the State of Israel was officially declared. While the year 1948 means victory for the Israelis, this date was imprinted on the memories of the Palestinians as a “Catastrophe (nakba in Arabic)”. The First Palestinian Intifada (uprising), which took place twice in Palestine from 1987 to 1993 (the period from the signing of the Oslo Accords and the Palestinian uprising against the occupation of Palestinian lands), the second Palestinian Intifada (uprising) from September 2000 to 2005 and the interim periods when the artists came to the fore with their works were evaluated within the scope of the uprisings. Artists who attempt to trace the traces of individual and social war memory, notably those such as Mona Hatoum, Emily Jacir and Dana Awartani, were addressed within the scope of the research on the works of artists of Palestinian origin. As a result, the works of artists, who have been continuing in Palestine from the past to the present and cannot easily isolate themselves from the conflicts, will take their place in art history as the anatomy of an occupied society by war.

Keywords: war, art, Intifada art, Palestinian artists, occupation