Science and art, in the belonging period, take a picture of what is happening there in a way. In the intermittent
possibly unitentionally unseen time-consuming value and place can not find the periodical realand
personalities, though, scienceand art has the indicative documents of the signs of age. History is read from
large photographs which are the data of these two disciplines. We reach with the products and objects that
have the answers of those who are afterit, the moment and the knowledge of it, with the experience of
the periods of science and art and the sensitivity of it. Each period is different from the others due to the
changes of theage, but the unchanging thing, the sensitivity of there are and the content is deter mined by
the artist is documented. This unchanging operation is valid for today too. In the photograph of today’s
consumption society, there is the content and objects of speed, ready-made food and objects, fashion, advertising,
ambition to possess, the standardizing the whole, with out any difference in many geographies.
In contemporary art, we can see that Pop Art loves and values all valuables of the day, and that two basic
attitudes, such as Minimalism and new representatives of abstract art, evade the visual objects of contemporary
reality to the abstraction from art. In this study, the main two tendencies of art will be examined
opposed to the current reality.
Keywords: Contemporary art, reality, empathy, abstraction, Minimalism, Pop art, fetish.