It is possible to consider the situations that encompass all areas of art and inhold the dynamic relationship between the artist and the audience as a reflection of economic, social, cultural and technological conditions. It is observed that this mutual reflection and dynamic relationship between the artist and the audience gained momentum especially through the academic and artistic productions after the second half of the 20th century. This structure, which is specifically built on the reflection of scientific developments and the artists experiencing the new opportunities; also reveals an interdisciplinary process in the field of plastic arts. From this point of view, the familiar dynamics established especially between the artist, its production and the audience leave its place to the experiences that cover all fields of plastic arts and in which the boundaries/limitations are eliminated and all art/science fields are intertwined. All constructions made by focusing on all kinds of materials, techniques, applications and ideas used in contemporary art, inhold the mutual communication/interaction between painting and printmaking in the field of plastic arts. In this context, especially this research; focused on the individual discourses / works of Zeliha Kayahan along with the works of Ergin İnan and Seydi Murat Koç specific to status of presenting new and different expression opportunities to the artist/audience through the works that covers unique individual applications on the convergence of painting- printmaking that have productions in the context of interdisciplinary works.

Keywords: art, painting, printmaking, interdisciplinary art