In this study, prosody, which is the diction of music, and the elements that make up prosody, and then information about the Kâr-ı Nâtık form from general to specific. Subsequently, Kâr-ı Nâtıks in Turkish music are discussed and necessary analyses and analyses are made. In the conclusion part of the study, there are some inferences obtained in the context of the analyses and some suggestions as a result of these. The research was handled within the framework of "Qualitative" research and "Descriptive" method was used. In line with the descriptive method, the " Survey" model was utilised. The data were obtained by using literature review, observation and interview, content analysis and musical analysis methods. This study has once again emphasised the importance of Kâr-ı Nâtık in terms of both the continuation of artistic works and the teaching of our music. It has been determined that the work that is the subject of the research is among the works that are close to perfect in terms of composition techniques and prosody, which are exemplary in general. Our study will contribute to the issue of composition techniques and prosody, and it is thought that the work within the scope of the study is among the works to be taken as reference.
Keywords: Kâr-ı Nâtık, composition, lyrics, prosody