The aim of this thesis study named "Space and Figure in the context of Manipulation in Painting" is to investigate the use of the infrastructures examples created by digital and technological tools in the field of painting. With the beginning of technological innovations, mankind who thinks, interrogates and constantly chases innovations, adapts itself to the developments of the age. Especially in the 20th Century, with its influence on digital innovations and popular culture, technology has made itself felt well in every field. In this context, in some artists developments in the field of artistic creation and production seem to have begun to be carried out in direct proportion to technology. The process of art creation has produced experimental artwork with digital substructure. Today, developing and changing technology has become a formative language of the artist, depending on the use of materials in the field of art. Manipulation, one of these possibilities offered by digital sources, is handled qualitatively in this thesis, and the relationship between the use of digital technology in plastic arts and the relation of space and figure in the context of manipulation is examined.
Keywords: Art, Technology, Manipulation, Space, Figure