Nowadays, reality concept is the indispensable element of many discussions and seminars. When the art production which is under the domination of digital arts is on the carpet, there will not be any discussion ambient without asking what the reality is. Whatever the changing and evolving process is, while examining concepts as mentality , the results will be a seperate indicator of ideological representations.
In this article, two films (“Ladri di Biciclette”, 1948, written by Cesare Zavattini, directed by De Sica, Italian origin production drama film. Original name “Bacheha-Ye Aseman”, international name “Children of Heaven”,1997, written and directed by Majid Majidi, Iran origin drama film), which are representing two different cultures and timeline howbeit is aimed to connect with the same context of idea, will be touch upon what the ideological representation is by using reality factor. The concept’s frame which is approached as representation, will be generated by cultural phantasy.
Keywords: Social Sciences, Sociology, Cinema, Ideology, New Realism.