This paper examines and analyzes a piano concerto composed by Fattah Nazarov (1919-1982), a “youth representative” composer of Uzbekistan. In spite of the piano concertos popularity, the work did not take place amongst the methodical and scientific literature hence the piano concerto has been researched and comment analysis has been made. The piece aims to grasp the deep pianism and piano attributes; the composition sections are unified, the classical form is carefully implemented. In between sections, the composer changes the measure, theme and spelling that brings the aspect of diversity. It has been concluded that the performer is able to quickly learn the content, and understand its dramaturgy. As a result, this commentary is a useful reference for pianists in Uzbekistan and the world.
Key Words : Fattah Nazarov, piano concerto, commentary, analysis